Technical essays and process documentation exploring experimental darkroom practice, alternative photographic processes, and the intersection of analogue chemistry with contemporary science.
2025
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12-21
013 · Chromatic Archaeology: Reading the Ruins of Colour PhotographyWhat RA4 mordançage reveals about the hidden architecture of colour photography—and why impermanence might be the medium's most honest expression
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12-20
012 · Breaking RA4 Apart: When Mordançage Meets Colour LayersPushing mordançage chemistry into forbidden territory—lifting colour emulsion layers from fully processed RA4 prints
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12-11
011 · Kinetic Darkroom: When the Enlarger Moves Instead of the CameraExploring intentional enlarger movement as a darkroom alternative to ICM
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10-02
010 · Sabattier in the City of LightsExploring Paris through the Sabattier effect
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09-06
009 · Finding Mortality Through the LensReflections on Tim Carpenters 'To Photograph is to Learn How to Die'
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09-04
008 · Re-exhibiting at Pimiö 25Reflections on re-exhibiting Beneath the Surface
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08-29
007 · Time, Speed, and ImprovisationReflections on the accelerated making and improvisational approach in the Art for All exhibition
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08-22
005 · Beneath the SurfaceMaking site-specific Mordançage prints for Art for Alls 'Success and Glory'
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08-14
004 · Quantum MordançageAnd making a Riso-printed zine
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08-12
003 · From Photo to Two-Plate RisoManual separation workflow for 2-plate prints
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08-11
002 · Risography for PhotographersWhy I fell in love with oily inks and noisy machines
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08-07
001 · A Brief History of MordançageChemistry bites photography.